Monday, January 31, 2011

Personification. (in another sense)

I was falling asleep in class today and dreaming mid-day dreams in iambic pentameter. I was sailing in William Hughes's summer's day. It's difficult to find the reality when you're diving in and out of it. Time stood still for a moment and I nodded my head at the clock, but it hadn't changed. We were frozen here in this "techniques of poetry" two hour life un-altering class. I wish I had known that when I signed up with my limited financial aid. These may be my last few months in college as the future really won't tell me how far in debt I'll be now, I'd rather not test her weight. I don't mind, it's time I moved on to something else. My nomadic heart is pulsing again and the blood is thinner than ever before. It's cold though, because it's all alone in there while I sleep in my car and the sun makes that feat hardly comforting. But the chillness I seem to have inherited in my blood escapes and breathes. In and out I'm falling over and over and over again. I see these faces of people I've attempted to know only to find I have no interest in further people venturing. My shoulders keep filling up with the dust of two years of waiting. There was a psychic who told me I needed to point inward towards myself...how far does she expect me to go? I'm all the way inside looking out on everything and realizing just how far I've faded from sight. I'm wading in Lethe in another mind. I'm silenced in Asphodel but existing in Tartarus. It feels like I'm falling far out of sight. I can't hear my mind, because I left it somewhere a long time ago, so I'm listening to something that's supposed to make me more but discovers me less. I am brave, but I'm not finding the way. Maybe we're all lost. Maybe everyone in this class is drifting above this building, floating freely on breezes but tumbling uncontrollably out of sight. To torment the night we drink from goblets of our restlessness. We speak in words that shoot venom from our tongue tips and our insanity provokes our rampant emotionalism. We're closer to the world than ever. Our spirits have rustled the soil. Our hearts have whispered their lies. I can hear the wind cry, she's telling me to set sail, she's telling me to run as far away as her song can guide me. And I have to listen. I have to obey.

I raise my eyes and forget you, dear Shakespeare, with your heavy language and heavy heart. Where were you when you cried? Who held your hand when you died? No one. There is no one here but the sky and the sea and the endless land that tortures me. I want to feel you, world, I want to be you, I want to be with you and cry your name between sensual breathlessness. I want to become your land. And when I am at my end, I donate myself to you in your rawest, cleanest form and let my dust sail on your calling wind.

I have awoke with mission in mind and time in my eye. I will be by your side. I promise, to be at your side, my home, my spirit is native and far beyond my mind. I am here. I exist. And we are beautiful. We are alive.

Saturday, January 8, 2011

Thoughts From The Floating World

It was quite comfortable weather today and seeing as it was my last day off before school starts on Monday and I triple my work load for a hopefully rewarding semester that will, in return, put me in an uneasy state of a debt racking above my head as far as the eye can see, I decided I needed some time to look at the real world. I drove east for an hour and stopped in what appeared to be an empty space where I could let go of my thoughts and let them twist above me like steam rising from a boiling pot.

It felt good, laying there in the grass with an ageless sky above me. My only wish is that the grass would be lush like the fields up north, how it feels so good that you start ripping it out of the ground. Or if it's long, like the horse pastures I would keep my horse in because of his tireless metabolism, you pick one long strand just to gnaw on, as if you could nurse the lush youth out of it. I loved those days; how I'd lay next to an animal that could easily crush me but know that he wouldn't. That bond was sacred; my horse would never hurt me and I would never hurt him. I'd listen to him next to me, vigorously chomping at the grass like it was holding him to the Earth and he needed desperately to find one substantial cluster to grab on to. Sometimes out of curiosity he'd wander over to me, flicking his lip up and down over my face and sniffing, proceeding further when he would get a reaction of laughter out of me because his breath would travel into my ears and tickle a nerve somewhere. When he felt comfortable, he'd lay his head down far enough for me to grab on to his neck and he'd pull me up with a massive strength into an awkward embrace with my arms around his neck and his head down my back.

Sometimes I'd take off my shoes and get on his back, wrapping my feet around his belly, feeling him breath, feeling his great muscles in their movements. And I'd grab his mane, making a glob of his coarse hair the only thing left to cling to before the ground if my legs couldn't hold. I remember how it felt up there, a sort of quiet, trusting thrill. I knew that if he spooked, there would be no way for me to stop him. But something about being one with this huge creature as he grazed peacefully gave me comfort. I loved his company. I never needed the horse shows with their ridiculous decadence and politics that swarmed above the arenas. I only needed the air in that lush grass and the sound of him and the trust between us. We were a part of a bigger world, one greater than the horse shows, the trailers, the cars, the cell phones, all the devices that we added to a simple relationship between two species. It was always a good place to think.

The nostalgia made me think of a Japanese phrase that I have read in a few books, one being the actual title of the book, "an artist of the floating world." How pretty the words were together, maybe even more so in their original tongue. It is as if this "artist" is above our world, not because he or she is any better or any worse, but because it is a place of no organization and a dreamlike picture from which he or she can look down upon the real world occasionally and paint what is seen. I thought about how if you wanted to be a part of that world, you'd give up the weight of this one and glide through the clouds, feeling the water brush against your cheeks. I thought about how it might be filled with moments like that one in the pasture with my horse, feeling like ancient spirits tied together. I thought about how the air would be thin and crisp. I thought about how peace isn't always happiness but still allows room for serenity to fill in.

As the sky began to change I felt the cool atmosphere fall down upon me. I had lost track of time in the midst of my dreaming. I was gliding to the floating world. I had reached the destination where I felt a part of the changes, the growing, the breeze, the ants invisible underneath me and the sun falling on me, feeding us all the life we crave. Perhaps for that moment I was an artist of the floating world. Perhaps, I have never been. Perhaps it is something that is to be earned over tiresome, loathsome years of isolating anguish attempting to turn these heavy thoughts into beautiful words. Attempting to breath. However you get there, to this floating world in its weightlessness, effortless beauty, and childish innocence, I need to find the way.
I need to get home.